As the artist and if you are in the blank page syndrome a lot, need to address it. It is not so much a what to draw or a how to draw issue but a communication issue. How do you use your approach to art and connect with the audience at hand. I am working this out even as we type/read. My style is simple-n-precise and although abstract is more controlled, I tend to do it once, in a moment and I'm done. I get, as expected, nods from other artist who appreciate the technical aspect, the work ethic and the mental interplay of art reason. I watch typical art on-lookers walk by with a glance. Ooh, tough crowd. I feel like a stand up comic when they laugh at the joke and are dead silent at the punch line.
OK, here's where the artist undocumented skills come into play. You must balance your art assertiveness with the viewing audience at hand or find an audience who likes you as is and show there (niche). Since I am rather immobile at present, I must find a way to connect. This is not to give up on what I see myself, this is to communicate, strike a chord with the audience at hand.
I had the opportunity to be a part of an art walk via our gallery and art center, and several art shows open to the public. Observation. Watching the stream of people walk past works of art, their reactions, their comments. The people around us like really fine art, who doesn't? They also appreciate high levels of complexity. This amounts to highly complex finely done works to works of wild abandonment, (scribbling and squiggling). I am not talking about figurative art, people don't seem to have inner arguments with those works. But take away subject matter and folks free fall till they land on an understanding. Even me, dag, what the heck, then I'll step back and see how the color or patterns work in a room or how it makes me feel. OK, it works, I even like it.
Next, I try not to use that "like" to endorse all the work by that artist. I like a musician named Archie Shepp. In a period of his life his music speaks directly to me. His other tunes don't thrill me as much. It is like that with all artist. They strike many chords, when they play my tune I surrender my ears. I do try to justify listening to their other works, but I listen for what I have enjoyed. If I don't hear it I get an attitude. You know it is the same with visual artist. They/I draw/paint many things. Sometimes it is pure, sometimes contrived, but what strikes you is what you like. If you expect to see what you like from an artist all the time, you will be disappointed. But being the people we are, we will hang in there as a fan (this is cool for us artist). We conn ourselves to deal with the good, the bad and the ugly. Are we rewarded? Yes, because we grow with them. I have listened to John Coltrane since the 70's, some tunes of his I still can't comprehend. Many of his tunes I only just now are appreciating, listening till I get it.
Anyway, my original premise here is to say, there is a chord that vibes with the audience at hand. If paint on the canvas doesn't work they might like the same art on a tattoo, or on a motorcycle gas tank or a bathroom shower curtain. What works in a living room might not work in a coffeeshop. Some even work in a gallery setting but over powers a living space at home. Of course I evolve the argument to include many angles for you to muse over. Consider your expression and consider your audience too. If the line is too fine maybe add some sketchiness or Gaussian blur or splatter or something. There is a vibe, a chord, find it, use it.
Am I an expert, no. This blog is to say what's on my art mind as I am going through the motions myself. If you can glean a little or if something sparks in you, then my work is done.
Tuesday, October 23, 2012
Saturday, October 20, 2012
aug(de)mented media realities, the sequel
If you are a fine art artist like me, that is an artist who puts out what he thinks is fine art, then you are probably wondering if inkjet prints stack up to other media that resembles it. Of course inkjet prints are their own media with their own character. It is like silk screen kind of sort of but not really. The inkjet way of putting down ink is a fine squirt, squirt, squirt. It is very controlled and precise, even and flat. Can you imagine 1000 tiny cans of spray paint on a stick and simultaneous control of each. If you can approach photo quality that is wonderful or the flat masking quality of silk screen. Anything in between you notice the fine spray effect. Not really sharp edges are dithered and.......ooh I'm too close.........I'll step back.......OK, it's not that bad. Rno, quit trying to make inkjet like other media, duh!
One thing I have enjoyed is drawing on a black page. I've used one of those white gel pens. It's not as clean as scratchboard but good enough for what I do. I wish I could find white inkjet ink. I would probably have to dedicate a printer just for that. I have a series of designs that printing white on black would be the bomb. Yes, I can print a white design on a black background but the white is the bare page and the black is printed one line at a time. Often if the printer setting is not right, you will see the print-head tracks across the page. The color looks like bands not solid color and uses lots of ink to cover the page. And if it don't look right the first time we got to try it again. I do do small test prints to see if I got it right, usually after I've made a few efforts amiss.
The tried and true method goes like this. See what hardware and software are used by some artist with bragging rights still intact. Repeat their results before you wonder off to experiment. I got an XP computer to feed the printer because the tools are there. I also can switch over to Linux if I need/want to.
Step two in the tried and true method is to apply ICC profiles. ICC profiles do a few things. They match the printer specs to a brand paper specs for the best outcome. There are ICC profiles for higher end photo printers and better papers. Other printers, well, good luck. If it will go through my printer I'll try it and note my results.
Step three is the costly one. It involves matching the PC monitor display to the printers output. This means what you see on your screen is what the print will look like. This is called calibrating. They have hardware for that. If you are a perfectionist, it will cost you a few bucks and some hours of learning to apply ICC profiles and calibrations. Get close to somebody who knows and tap their brain.
Anyway I spilled my DNA onto the printer while printing a photo of myself. The clone was perfect except he disappeared when viewed from the side, unlike Alfred Hitchcock. duh duh duh duh!
One thing I have enjoyed is drawing on a black page. I've used one of those white gel pens. It's not as clean as scratchboard but good enough for what I do. I wish I could find white inkjet ink. I would probably have to dedicate a printer just for that. I have a series of designs that printing white on black would be the bomb. Yes, I can print a white design on a black background but the white is the bare page and the black is printed one line at a time. Often if the printer setting is not right, you will see the print-head tracks across the page. The color looks like bands not solid color and uses lots of ink to cover the page. And if it don't look right the first time we got to try it again. I do do small test prints to see if I got it right, usually after I've made a few efforts amiss.
The tried and true method goes like this. See what hardware and software are used by some artist with bragging rights still intact. Repeat their results before you wonder off to experiment. I got an XP computer to feed the printer because the tools are there. I also can switch over to Linux if I need/want to.
Step two in the tried and true method is to apply ICC profiles. ICC profiles do a few things. They match the printer specs to a brand paper specs for the best outcome. There are ICC profiles for higher end photo printers and better papers. Other printers, well, good luck. If it will go through my printer I'll try it and note my results.
Step three is the costly one. It involves matching the PC monitor display to the printers output. This means what you see on your screen is what the print will look like. This is called calibrating. They have hardware for that. If you are a perfectionist, it will cost you a few bucks and some hours of learning to apply ICC profiles and calibrations. Get close to somebody who knows and tap their brain.
Anyway I spilled my DNA onto the printer while printing a photo of myself. The clone was perfect except he disappeared when viewed from the side, unlike Alfred Hitchcock. duh duh duh duh!
Friday, October 19, 2012
aug(de)mented media realities, further adventures
aarrgghh!! and that's not my final word! Let me calm down. You know the artist must do what he/she does. Paint, cut, sew, photog, dance, for me it's draw on the PC then print. Do you think this stuff is easy? Does the machine really do all the work? HA! Then double HA! and aarrgghh to boot!
Ok we got a regular all in one HP printer. Those little ink cartridges go fast and the rubber gripping rollers in the paper feeder do too. The most popular throw away hell you can't fix it either products on the market are microwave ovens and desktop printers. There is not enough wrong with the HP printer to pitch it but it is nearing EOL. My Epson is my workhorse these days, that thing will print on a peanut-butter sandwich (ooh, don't make me clean that!) I've bought a continuous ink supply for it. Because being the artist and printing things with total ink coverage on a page, the little standard ink cartridges just don't cut it.
So what's the beef that's turning me to jerky? Software is the matter and being the Open Source guy that I am, I'm not finding ease. First printer drivers from the printer manufactures are usually MS Windows compatible. If they have a Linux version, it was produced under great pressure from a non-lucrative marketing sector. Yes and thankyou, it is a blessing and a favor. Then the standard Linux developed printer system is modular, complex and pieces are missing to make it a no brainier. Yeah, there is Fooprint and CUPS. Show me one interface to cover over all the various elements that make printing work, let me push the print button.
In MS Windows you have your drivers and the various applications that guide you through printing, mostly desktop photo formats. The arts apps like Adobe this and Adobe that probably do fine. Heck, GIMP and Inkscape do fine in MS XP. I do admit, you have to hammer the MS print app to fool it into printing custom sizes. In Linux the communication is not so clear with the printer. This depends on the printer. My HP did have a Linux driver, but the Epson, eh eh! There is one for some models but not for mine. So if you really need "that printer", do your through homework. The Linux printing system covers many generic printer functions across the board. There are quirks that are brand specific that this general print system can't deal with. The biggest is ink supply monitoring. My Epson has two black ink carts, If one goes down the printer goes down, even if the other cart is full. Refilling and resetting is an arcane science. Your clothes will look like you are painting instead of printing.
My most secret weapon to printing? Write down what you did on a successful print run. Computers are good at repeating processes. Tweaking and adjusting all the time will corrode your memory, so write the good ones down. As usual I didn't divulge any useful or useless information, but if you find some enlightenment, it's probably you. Your humble Linuxville guide is but the paper between the rollers of life and an inkjet squirt (that's so giclee!).
Ok we got a regular all in one HP printer. Those little ink cartridges go fast and the rubber gripping rollers in the paper feeder do too. The most popular throw away hell you can't fix it either products on the market are microwave ovens and desktop printers. There is not enough wrong with the HP printer to pitch it but it is nearing EOL. My Epson is my workhorse these days, that thing will print on a peanut-butter sandwich (ooh, don't make me clean that!) I've bought a continuous ink supply for it. Because being the artist and printing things with total ink coverage on a page, the little standard ink cartridges just don't cut it.
So what's the beef that's turning me to jerky? Software is the matter and being the Open Source guy that I am, I'm not finding ease. First printer drivers from the printer manufactures are usually MS Windows compatible. If they have a Linux version, it was produced under great pressure from a non-lucrative marketing sector. Yes and thankyou, it is a blessing and a favor. Then the standard Linux developed printer system is modular, complex and pieces are missing to make it a no brainier. Yeah, there is Fooprint and CUPS. Show me one interface to cover over all the various elements that make printing work, let me push the print button.
In MS Windows you have your drivers and the various applications that guide you through printing, mostly desktop photo formats. The arts apps like Adobe this and Adobe that probably do fine. Heck, GIMP and Inkscape do fine in MS XP. I do admit, you have to hammer the MS print app to fool it into printing custom sizes. In Linux the communication is not so clear with the printer. This depends on the printer. My HP did have a Linux driver, but the Epson, eh eh! There is one for some models but not for mine. So if you really need "that printer", do your through homework. The Linux printing system covers many generic printer functions across the board. There are quirks that are brand specific that this general print system can't deal with. The biggest is ink supply monitoring. My Epson has two black ink carts, If one goes down the printer goes down, even if the other cart is full. Refilling and resetting is an arcane science. Your clothes will look like you are painting instead of printing.
My most secret weapon to printing? Write down what you did on a successful print run. Computers are good at repeating processes. Tweaking and adjusting all the time will corrode your memory, so write the good ones down. As usual I didn't divulge any useful or useless information, but if you find some enlightenment, it's probably you. Your humble Linuxville guide is but the paper between the rollers of life and an inkjet squirt (that's so giclee!).
Thursday, October 11, 2012
aug(de)mented media realities
It is kind of crazy how certain appliances are defined by their use. The TV is a group appliance and the PC is a personal device. If you merge the two together, you cause conflict in the home if the personal use overlaps sharing use too much. I've talked about this before. My CD player bit the dust and in the meantime I took an extra PC and hooked it up to the living-room TV. It is not a great solution, we had to do some adjusting.
TV is a shared device and simple to use. The PC requires some savvy. There are still the less savvy among us. Right now I do all the media playing on the TV-PC, till we get a standalone player. So I don't do any Internet stuff on the TV, in fact I don't even have a net connection. I want to keep the sharing use of the TV alive and well (happy wife as well). This means all on the TV's PC is from the jump drive, hard drive or DVD player. My daughter has a multimedia laptop with a remote, that's sweet. I'm looking at Bluetooth control, hmmmmmmm!
Anyway my PC's video card has a S-video output jack and a RCA video output jack. Both work OK, putting out a signal to the TV. The TV has assorted video input jacks. The problem is that the neither the S-video nor the RCA jacks put out an audio signal. I use external speakers from the PC's sound card. The sound input jacks on the TV are RCA plugs, the PC's sound jacks are smaller headphone type. There is no way to get the sound from the PC sound card to the TV inputs, thus I can't control the sound via the TV remote when using the PC media input. Whoooooah!
So when the TV is receiving broadcast, the remote does its job. When the PC is the source, the TV is just a monitor for the PC. I really hate using adapters but I hope one exists or at least a Bluetooth controller solution. And yes, it is a head banger to use a mouse and keyboard in the living-room. Wireless would be nice. In my house wireless messes up the TV signal on some stations.
Now, what do I gain by this merger? Not only can I play the usual DVD and CD recorded movies, but what I can't do with CD players is play stuff I put on the PC's hard drive like slide shows. My art portfolio looks good on the TV, as does the array of other artist works I enjoy. All the shared media functions of the PC are now on the TV too, not just broadcast TV and DVD movies.
On the PC I use a app called Moovida which used to be Elisa Media Player. It simplifies playing all the various media stored or channeled through the PC. This is so you don't have to use separate apps for each type of media. Yeah I'm one of those who doesn't like paying to have cable TV. I can bring content of my own choosing into the shared TV appliance.
I'm working out the kinks in this concept. I haven't heard anything exceptionally good about a TV receiver card in a Linux PC and a large monitor. lnfo and opportunity have not converged in my presence yet. And the PC still hasn't shaken it's "personal" stigma to where it is the sole media player in a shared living-room or its "savvy person" operation. But hey, I flick a light switch, the wife says I'm a hacker, go figure!
TV is a shared device and simple to use. The PC requires some savvy. There are still the less savvy among us. Right now I do all the media playing on the TV-PC, till we get a standalone player. So I don't do any Internet stuff on the TV, in fact I don't even have a net connection. I want to keep the sharing use of the TV alive and well (happy wife as well). This means all on the TV's PC is from the jump drive, hard drive or DVD player. My daughter has a multimedia laptop with a remote, that's sweet. I'm looking at Bluetooth control, hmmmmmmm!
Anyway my PC's video card has a S-video output jack and a RCA video output jack. Both work OK, putting out a signal to the TV. The TV has assorted video input jacks. The problem is that the neither the S-video nor the RCA jacks put out an audio signal. I use external speakers from the PC's sound card. The sound input jacks on the TV are RCA plugs, the PC's sound jacks are smaller headphone type. There is no way to get the sound from the PC sound card to the TV inputs, thus I can't control the sound via the TV remote when using the PC media input. Whoooooah!
So when the TV is receiving broadcast, the remote does its job. When the PC is the source, the TV is just a monitor for the PC. I really hate using adapters but I hope one exists or at least a Bluetooth controller solution. And yes, it is a head banger to use a mouse and keyboard in the living-room. Wireless would be nice. In my house wireless messes up the TV signal on some stations.
Now, what do I gain by this merger? Not only can I play the usual DVD and CD recorded movies, but what I can't do with CD players is play stuff I put on the PC's hard drive like slide shows. My art portfolio looks good on the TV, as does the array of other artist works I enjoy. All the shared media functions of the PC are now on the TV too, not just broadcast TV and DVD movies.
On the PC I use a app called Moovida which used to be Elisa Media Player. It simplifies playing all the various media stored or channeled through the PC. This is so you don't have to use separate apps for each type of media. Yeah I'm one of those who doesn't like paying to have cable TV. I can bring content of my own choosing into the shared TV appliance.
I'm working out the kinks in this concept. I haven't heard anything exceptionally good about a TV receiver card in a Linux PC and a large monitor. lnfo and opportunity have not converged in my presence yet. And the PC still hasn't shaken it's "personal" stigma to where it is the sole media player in a shared living-room or its "savvy person" operation. But hey, I flick a light switch, the wife says I'm a hacker, go figure!
Sunday, October 07, 2012
point-n-clik, point-n-slow down
Man we are always in a hurry. We even think if you can do something fast, you are better than a slower person. Point-n-clik, point-n-clik, point and slow down. Smell the coffee, read the instructions, practice a little before you dive head first. WHY? Because the head gets hit first and when that head goes, you'll flop around like a mackerel for a minute then expire also. Take time to learn stuff at a slow pace, then move up to your speed. Hey, what brought this on?
I downloaded an audio bible off the net in mp3 format. I can play them on the standard audio player just fine. Only the speed of the speech is a little fast. You know what we think of fast talking salesmen, what you trying to pull dude?
I have a another app called VLC media player. I use it mostly to play videos, it will play audio files as well. I just discovered you can add controls to the control bar. One set is to control the speed of audio playback. I slow down the fast talking bible reading to a speed my mind can process. Man, just like talking to myself. Slowed down just a pinch, now I can hear every word. Don't have this problem with videos.
VLC which stands for Video Lan Controller or something, is complex but makes itself simple if you take the time to learn and tweak.
I also just scanned in another sketchbook into my laptop. What a blast to review my sketches and start a new round of idea flows. I use a Google app called Picasa and a native Ubuntu app called gThumb. They show the picture files in icon form for browsing, a double clik blows them up, etc. I'm trying to appreciate the native apps more and more. OOh! Time is getting away from me, gotta go! Later!!
I downloaded an audio bible off the net in mp3 format. I can play them on the standard audio player just fine. Only the speed of the speech is a little fast. You know what we think of fast talking salesmen, what you trying to pull dude?
I have a another app called VLC media player. I use it mostly to play videos, it will play audio files as well. I just discovered you can add controls to the control bar. One set is to control the speed of audio playback. I slow down the fast talking bible reading to a speed my mind can process. Man, just like talking to myself. Slowed down just a pinch, now I can hear every word. Don't have this problem with videos.
VLC which stands for Video Lan Controller or something, is complex but makes itself simple if you take the time to learn and tweak.
I also just scanned in another sketchbook into my laptop. What a blast to review my sketches and start a new round of idea flows. I use a Google app called Picasa and a native Ubuntu app called gThumb. They show the picture files in icon form for browsing, a double clik blows them up, etc. I'm trying to appreciate the native apps more and more. OOh! Time is getting away from me, gotta go! Later!!
Thursday, October 04, 2012
limitations help you bust out
I don't really have a working philosophy but go with what you know saves the day many many times. It does get uninteresting after a while and at times seems stagnant. I bought a Epson Workforce 1100 printer. It has limitations like only 4 ink colors (magenta, cyan, yellow and black) and for a wide format printer will print 13 inches wide. For thrice the bucks I could have bought 24 inches wide. The problem is always what you want to do vs what you can do with what you got. Painters can paint a big canvas, say 30 x 40 inches, I'm stuck with 13 inches x 19 inches. No, wait, the printer can print 44 inches long. So if I divy the drawing up into 13 inch bands I can do 39 by 40 real easy, hmmmmmmm! What limitations?
Oh, wait again, you know when I print a couple of long pictures my ink is near gone. There are refillable cartridges that allow you to buy and use bulk ink which is a lot cheaper. The thing I realize is that the artist makes his own tools. I try not to void a warranty by altering the product but I kind of think some products are durable enough to be throwaway when done. Ha ha, I don't cut the tag off the mattress so I'm a bit cautious. If you do a lot of printing you should look into extending your printing capability. Look up continuous ink systems and hold your drool. Now my printer will do photopaper, card stock and printer canvas. So there are less and less limitations to your creative efforts. Trying to put it all together and make it all work is an art by itself and after all we are artist. It is what we do.
Oh, wait again, you know when I print a couple of long pictures my ink is near gone. There are refillable cartridges that allow you to buy and use bulk ink which is a lot cheaper. The thing I realize is that the artist makes his own tools. I try not to void a warranty by altering the product but I kind of think some products are durable enough to be throwaway when done. Ha ha, I don't cut the tag off the mattress so I'm a bit cautious. If you do a lot of printing you should look into extending your printing capability. Look up continuous ink systems and hold your drool. Now my printer will do photopaper, card stock and printer canvas. So there are less and less limitations to your creative efforts. Trying to put it all together and make it all work is an art by itself and after all we are artist. It is what we do.
Monday, October 01, 2012
Resting up a bit.
Hey folks, the Lorain Art's Council's 1st Annual Black River Art Walk was a wonderful good time. We had Latino art in the gallery, two live bands out back, a two guitar duo, and a doo-wop group, all great. We had a small but interesting array of tents and tables manned by artist and craftpersons. The live demo of paper making was loud and they had lots of laughs. We had stone carvers and wood whittlers, face painters and photographers and mixed media artists and.... you should have been there. It was small, our first and next year bigger and better. I'm too beat to think, man what a rush!
Friday, September 28, 2012
a sad day in mudville
All the signs are positive, the Art Council's gala is shaping up and I relax after a long spell of painting, moving boxes and hanging pictures. I've had my artist's laptop running for a while then the screen gets speckled, then speckled in a pattern. I reboot and it is the same and the desktop does not come up. I thought, oh man, do I have to bake the graphics card again. Some folks said you can do it again and again, I'm so skeptical. In the meantime I will wear a black armband, no. It is so depressing to lose a computer. I'll bake the graphics card again but I'm wondering if the other laptop will go down too.
Thursday, September 20, 2012
the autonomous artist
As you all know I am promoting my right to exercise as a digital artist. Today I dabble, tomorrow the world!, yeah. Part of the problem of the digital artist is the connection to the world via the computer. This is why I say disconnect the connection and get some work done. OK, connection is not bad, but a lot of the time it is time consuming. Hey you, blogger, step away from the computer.
I spend time looking and perusing other artist, research material, textures, fonts and brushes, all tutorials and seeing how I am perceived on the net. NO TEXTING WHILE DRAWING!!!! You people with smart phones have it worst than I, I dare you to turn it off for peace and solitude, I dare you. Ha, separation anxiety, lol. You're addicted like me or phone busy (a phonie). If all our words and finger fussing could be put into a picture what would look like? I'm talking about diverting energy here.
My secret weapon is a wire bound notebook and a ball-point pen. I carry them almost everywhere. I jot ideas down and review them. I even scan them into my PC so that it is easy to review them. WHY? because ideas are fleeting, but if you let them pass the eyes again and again, they become part of your script. You know you write something down forget it and later disregard it because you've moved on in your thinking. Record the idea to keep it still, then review it to nail it down. The mind thus programmed begins to work it out. You may have to put other things on hold while you attend to this idea, but eventually just swishing past ideas is not going to cut it. And I'm talking about doing art not wishing for a fancy car when you are broke. Hmmm, I wonder if........come on lets keep it real.
Having scanned my sketches into my PC also means I can use them directly. All drawing programs that have layer tools will let you put your sketch on a layer to use as a guide as you draw on another layer, like tracing on onion skin. This is cool because often the sketch has the awkward proportions your mind originally captured, that you can't seem to duplicate with applied drawing principles. Actually my methods haven't changed much from my first epiphany. I took a small sketch to work that I scanned into a file at home. I enlarged it in Autocad and plotted it out on the large plotter. My eyes were so big, it took a week to push them back in. Today I try to perfect my line quality and color and texture and such. Especially because in Autocad we dealt with lines, on todays' inkjet printers we approach photographic qualities even with drawings made in paint and vector programs.
Again as I promote Open Source Art programs, it is about the tools and the processes. GIMP, Inkscape, MyPaint, LibreCad, Blender, there are many more, are cross platform collections of FREE tools with similar to commercial software processes. The important thing is to learn the processes to get the work done, then you can obtain what ever tools you want. Neither the free nor the paid for software will do the work for you. In that aspect they are exactly the same. Ha ha and you can never be totally autonomous with folks like your Linuxville guide around aiding and abetting. So after you read this, disconnect and get back to work.
I spend time looking and perusing other artist, research material, textures, fonts and brushes, all tutorials and seeing how I am perceived on the net. NO TEXTING WHILE DRAWING!!!! You people with smart phones have it worst than I, I dare you to turn it off for peace and solitude, I dare you. Ha, separation anxiety, lol. You're addicted like me or phone busy (a phonie). If all our words and finger fussing could be put into a picture what would look like? I'm talking about diverting energy here.
My secret weapon is a wire bound notebook and a ball-point pen. I carry them almost everywhere. I jot ideas down and review them. I even scan them into my PC so that it is easy to review them. WHY? because ideas are fleeting, but if you let them pass the eyes again and again, they become part of your script. You know you write something down forget it and later disregard it because you've moved on in your thinking. Record the idea to keep it still, then review it to nail it down. The mind thus programmed begins to work it out. You may have to put other things on hold while you attend to this idea, but eventually just swishing past ideas is not going to cut it. And I'm talking about doing art not wishing for a fancy car when you are broke. Hmmm, I wonder if........come on lets keep it real.
Having scanned my sketches into my PC also means I can use them directly. All drawing programs that have layer tools will let you put your sketch on a layer to use as a guide as you draw on another layer, like tracing on onion skin. This is cool because often the sketch has the awkward proportions your mind originally captured, that you can't seem to duplicate with applied drawing principles. Actually my methods haven't changed much from my first epiphany. I took a small sketch to work that I scanned into a file at home. I enlarged it in Autocad and plotted it out on the large plotter. My eyes were so big, it took a week to push them back in. Today I try to perfect my line quality and color and texture and such. Especially because in Autocad we dealt with lines, on todays' inkjet printers we approach photographic qualities even with drawings made in paint and vector programs.
Again as I promote Open Source Art programs, it is about the tools and the processes. GIMP, Inkscape, MyPaint, LibreCad, Blender, there are many more, are cross platform collections of FREE tools with similar to commercial software processes. The important thing is to learn the processes to get the work done, then you can obtain what ever tools you want. Neither the free nor the paid for software will do the work for you. In that aspect they are exactly the same. Ha ha and you can never be totally autonomous with folks like your Linuxville guide around aiding and abetting. So after you read this, disconnect and get back to work.
Thursday, September 06, 2012
pull the plug
Doctor I want him to live. We can't afford to keep him on life support for ever and what kind of living is that? Nurse, go ahead, pull it. There was a long silence sort of like waiting for a pot to boil. Then, thump, thump, thump.........he's alive. Now don't forget my first vision of being an artist was a guy sitting on the river bank, folding easel, paintbox and small canvas. He had this way of blocking out the world while using some subtle maneuvering to capture his impressions of the world around him.
So the disconnected workstation does have the ability to be relocated. My battery life is about an hour, I'm looking for ways to extend that and still have full power. I might have to resort to a small car battery and converter board and get one of those airport luggage two wheelers. Luke Skywalker went to a remote place to find Yoda, in his encampment there he plugged R2D2 into a portable power unit. I gotta get me one of those. You see the laptop's battery is not enough for enlightened work. I mean the screen has to be bright enough for this old man to see. Hey, look you this good when you are old like I? Not how I look, but how I see! Young people see all, old people see what they need to see. That is the way of the force.
Now let's review that vision. There's the guy dragging his shopping cart of technology around the park. He comes to a spot and cordons off the area in yellow tape. I wonder what he's up too? Maybe he's ET phoning home. I'm glad my cellphones' not that big. He could of bought an iPhone, a lot simpler and portable. Wow, there's a stool, laptop and stand, graphic tablet, cool cup, umbrella, digital cam, paper sketchpad and pens.....Wait, he booting up and.....did the sun just blink for a second? I think I will set up in my backyard, a little more privacy. When technology is both powerful and inconspicuous then I'll venture into the wild.
Maybe I'll leave the power in the house and take smaller graphic recorders on the road. That seems a better idea. It seems such a waste to dedicate a PC just to artwork, PCs have such broad use. But many PCs only do word processing or accounting or control a machine or run a server fetching email and blocking intruders. To dedicate one to the purpose at hand or a particular activity is not unreasonable, even if it can do more. A computer as a light switch, for a whole building, still a light switch.
So the disconnected workstation does have the ability to be relocated. My battery life is about an hour, I'm looking for ways to extend that and still have full power. I might have to resort to a small car battery and converter board and get one of those airport luggage two wheelers. Luke Skywalker went to a remote place to find Yoda, in his encampment there he plugged R2D2 into a portable power unit. I gotta get me one of those. You see the laptop's battery is not enough for enlightened work. I mean the screen has to be bright enough for this old man to see. Hey, look you this good when you are old like I? Not how I look, but how I see! Young people see all, old people see what they need to see. That is the way of the force.
Now let's review that vision. There's the guy dragging his shopping cart of technology around the park. He comes to a spot and cordons off the area in yellow tape. I wonder what he's up too? Maybe he's ET phoning home. I'm glad my cellphones' not that big. He could of bought an iPhone, a lot simpler and portable. Wow, there's a stool, laptop and stand, graphic tablet, cool cup, umbrella, digital cam, paper sketchpad and pens.....Wait, he booting up and.....did the sun just blink for a second? I think I will set up in my backyard, a little more privacy. When technology is both powerful and inconspicuous then I'll venture into the wild.
Maybe I'll leave the power in the house and take smaller graphic recorders on the road. That seems a better idea. It seems such a waste to dedicate a PC just to artwork, PCs have such broad use. But many PCs only do word processing or accounting or control a machine or run a server fetching email and blocking intruders. To dedicate one to the purpose at hand or a particular activity is not unreasonable, even if it can do more. A computer as a light switch, for a whole building, still a light switch.
Wednesday, September 05, 2012
More on the disconnected workstation
Location, location, location, it makes a difference. We have a spare room in the upper parts of the château. Mostly used for miscellaneous furniture storage but it does have a ceiling fan and a round table. That's where I set up. The other room has PC parts and art supplies, a cluttered mess. The new room is a long way from the network cable, is quiet and well lit. It is kind of lending to a more open approach to working. Me, I can blog anywhere but to do art requires concentration and being free from distraction and stuff I have to do. Disconnect and shut out the world for a little while.
My am having fun exploring what the tablet feels like and what the different functions of GIMP, Inkscape and MyPaint are. I draw lines and squiggles and shapes. I can think of what kinds of things I might attempt. And I am testing out tutorials. There are some crucial lessons like layers and shaping things by light-n-shadow instead of outlines. Also how to approach the same image as a raster or pixel drawing and a vector drawing. Not that I would become an expert, but find a preference. Vector drawing is like CAD but you can do so much more. Still good old drawing and painting are skills much to be desired.
I heard a video by Scott Ligon of the Cleveland Institute of Art. He said the thing that the PC was best at is bringing different art elements together, synthesis. So I am considering what elements I know, what I want to learn/explore and how to merge them in some projects. I remember at a gallery function a guest ask me what I do. I told him computer art, he said that could be anything. He was right but as an artist I can only use what I know, a subset of all the stuff a computer can do. So I really don't know what the outcomes might be, I am working it out as I learn. I do have to tell people I am a drafter, an instrument drawer, not a freehand drawer. It's not a flaw, it's a feature and I use it well. Some folk clump all artist under the big "A" title, I'll let you make them straight.
The disconnected workstation is fine. Just installed a virtual machine of XP so that I can run Google Sketchup. It does run in Wine on Linux but is a little unsure about GL graphic libraries. It works then it doesn't work. Found I didn't need Unetbootin, Mint XFCE comes with ImageWriter which does the same thing, format a USB drive and install an ISO image. The cool thing is having a place to go and a setup that is familiar, ready to do stuff you are ready to do.
My am having fun exploring what the tablet feels like and what the different functions of GIMP, Inkscape and MyPaint are. I draw lines and squiggles and shapes. I can think of what kinds of things I might attempt. And I am testing out tutorials. There are some crucial lessons like layers and shaping things by light-n-shadow instead of outlines. Also how to approach the same image as a raster or pixel drawing and a vector drawing. Not that I would become an expert, but find a preference. Vector drawing is like CAD but you can do so much more. Still good old drawing and painting are skills much to be desired.
I heard a video by Scott Ligon of the Cleveland Institute of Art. He said the thing that the PC was best at is bringing different art elements together, synthesis. So I am considering what elements I know, what I want to learn/explore and how to merge them in some projects. I remember at a gallery function a guest ask me what I do. I told him computer art, he said that could be anything. He was right but as an artist I can only use what I know, a subset of all the stuff a computer can do. So I really don't know what the outcomes might be, I am working it out as I learn. I do have to tell people I am a drafter, an instrument drawer, not a freehand drawer. It's not a flaw, it's a feature and I use it well. Some folk clump all artist under the big "A" title, I'll let you make them straight.
The disconnected workstation is fine. Just installed a virtual machine of XP so that I can run Google Sketchup. It does run in Wine on Linux but is a little unsure about GL graphic libraries. It works then it doesn't work. Found I didn't need Unetbootin, Mint XFCE comes with ImageWriter which does the same thing, format a USB drive and install an ISO image. The cool thing is having a place to go and a setup that is familiar, ready to do stuff you are ready to do.
I did it ya see, and I'm glad I did it!
The other laptop is now the artist workstation. I downloaded Mint 13 XFCE but I couldn't burn it to DVD because I didn't have any. After tearing out the hair I don't have, I downloaded a little program called "uNetbootin". It's cool, allows you to format a flash drive and install a bootable iso image on it. So I did it and I'm glad. Popped the flash drive into the USB slot and rebooted the computer. Of course the PC needs to see the flash drive in the boot table to boot it. It did and it did boot. BAM, Mint 13 XFCE was running in RAM, I hit the install icon and away it went. You know an OS on a flash is faster than on a spinning CD or hard drive. I smell possibilities here. I am still tweak'n and installing files and art tools, looking good. XFCE desktop is not as glamorous as KDE or Gnome but is simple and functional. XFCE gets out of the way so that more resources are available for the programs.
Tuesday, September 04, 2012
disconnection notice
Usually when artists do their work or practice they do so away from the hustle and bustle of daily cares. Enter the digital artist whose PC might be set up in the dining room. Oh wait I got a laptop, I can go anywhere and work. I got to check my email first and maybe see what the homey's are doing vis Facebook, and.............
I have two almost identical laptops. The one has all my stuff on it plus Internet and wireless. I do spend a lot of time blogging, reading and vid viewing. The other laptop is the spare and I am reluctant to beef it the same as I have the main one. Do I really need two laptops, no, but wait a minute, what if..................
I could put the minimum 1gig RAM in the main laptop. I seem to use it to communicate more that do art. In the other I could have 4 gig for graphics and dedicate it to art work. Yeah I do use the internet for art work, but I have to admit I would probably get more work done if I didn't. If I was using acrylic paints on canvas, no internet. Why do I need internet to do PC art?. It is weird to think that a PC will work without the internet, to some that is unthinkable, even impractical. Relax, my laptop has a net connection so if I need to I can plug in. I was thinking of removing the wireless card. Now no one can probe-n-find my PC on any network. I won't be fishing around the internet when I could be working.........reasons you see.
I can download what I need beforehand or load a jump drive, then go anywhere and work in isolation, yes.....I need to trust my own thought and processes.
I like all the bells and whistles on my main PC. On my artist laptop I want a less resource greedy operating system and more memory for graphics. With Linux I can do this. My main laptop has Mint 13 and it is beefy. The performance is not bad at all and as I am not a gamer, I am not going to fry anything. I think I will put the 4 gig in the spare machine and install Mint XFCE as a lighter resource desktop. This machine will be the graphics workstation. Not having remote internet means a little extra planning but I could get more outcome out of my time on the machine.
What brought this on, well when you get hooked socially, you share openly. Artist a great deal of the time don't want to show off the process, the work in progress till the project is done. The internet sort of bends the rules. Disconnecting brings the rules back into play. Security is a big word, you can't probe what you can't find. The most secure PC is severed from the net. Control your IT and you control your IP. IT= Internet Tech, IP=Intellectual Property. You think about it, we are afraid of connection but disconnection is even more traumatic.
BUT in all my purpose is to set up a work habit. When I approach this isolated machine it is for art work, it is set for art work. I guess down the road I can get a smart-phone or a netbook for the social stuff and a power crazed laptop for a workstation.
I have two almost identical laptops. The one has all my stuff on it plus Internet and wireless. I do spend a lot of time blogging, reading and vid viewing. The other laptop is the spare and I am reluctant to beef it the same as I have the main one. Do I really need two laptops, no, but wait a minute, what if..................
I could put the minimum 1gig RAM in the main laptop. I seem to use it to communicate more that do art. In the other I could have 4 gig for graphics and dedicate it to art work. Yeah I do use the internet for art work, but I have to admit I would probably get more work done if I didn't. If I was using acrylic paints on canvas, no internet. Why do I need internet to do PC art?. It is weird to think that a PC will work without the internet, to some that is unthinkable, even impractical. Relax, my laptop has a net connection so if I need to I can plug in. I was thinking of removing the wireless card. Now no one can probe-n-find my PC on any network. I won't be fishing around the internet when I could be working.........reasons you see.
I can download what I need beforehand or load a jump drive, then go anywhere and work in isolation, yes.....I need to trust my own thought and processes.
I like all the bells and whistles on my main PC. On my artist laptop I want a less resource greedy operating system and more memory for graphics. With Linux I can do this. My main laptop has Mint 13 and it is beefy. The performance is not bad at all and as I am not a gamer, I am not going to fry anything. I think I will put the 4 gig in the spare machine and install Mint XFCE as a lighter resource desktop. This machine will be the graphics workstation. Not having remote internet means a little extra planning but I could get more outcome out of my time on the machine.
What brought this on, well when you get hooked socially, you share openly. Artist a great deal of the time don't want to show off the process, the work in progress till the project is done. The internet sort of bends the rules. Disconnecting brings the rules back into play. Security is a big word, you can't probe what you can't find. The most secure PC is severed from the net. Control your IT and you control your IP. IT= Internet Tech, IP=Intellectual Property. You think about it, we are afraid of connection but disconnection is even more traumatic.
BUT in all my purpose is to set up a work habit. When I approach this isolated machine it is for art work, it is set for art work. I guess down the road I can get a smart-phone or a netbook for the social stuff and a power crazed laptop for a workstation.
it's all in your wrist
Us humans are something else. As creative beings we dumb down how the mechanics of the process is explained in a kind of humility. Artists run in the family and I don't know where the genes for art came from. In my book there is genetic potential or probability and environmental happenstance and some kind of inner drive. Copy that, express that, "Honey, we don't mark on the walls in this house!" "Dear, we better get him some paper and crayons." Of course they do so but they don't put the paper on the walls where he likes to draw. In a coloringbook, scattered pages on the floor or a proper desk or table. You got to control the energy to make a mark.
Control from the mind to the hand. Why some folks can draw what they see, some see it but are denied the ability to draw it. No we all don't have the right combination of stuff. Drawing can be learned to a point. You can learn the mechanics and stir up a motive force. In the end either you have it or you don't and that is in degrees.
We are taught that the mind is everything, but the brain is not the whole mind. The whole network of nerves from the clump in your head to stub sensors in the tips of your toes are also the mind. Muscles have memories. Emotions are imprinted in our character and motions are imprinted in our muscle memory. A boxer's range and speed of motion is all visible, his trainer hones and sharpen those skills. Harder it is to train the motive force that makes him breach his opponent's sphere and retract into defense ready to strike again. Reaching a little further, a little faster and control, timely strikes, timely withdraws.
The artist can learn all the tools, but what is needed is the muscle memory in the hands and wrist. Drawing a circle over and over till it's second nature. I have problems drawing the human figure because I have not practiced that. I can draw an electrical circuit in a second, that my muscle memory knows well. I can draw a straight line and a perpendicular one too. I know drafting, freehand drawing is a different matter. This new physical workout craze is on spot, where they vary the exercises so they are not routine. You blast muscles from many different angles. If you are a computer artist, go take a freehand drawing class or a drafting class. The motive force is the same but the reasons and procedures will give you muscle memories you didn't think you had. Then when you hone in, your skill set is wide yet focused because what you practiced your body remembers. It is now at your command.
Every line is important when you draw but not for the finished piece. I watched many artist working. I think they put too much effort into their work and the final piece looks simple compared to how much work goes in. Why not just start drawing the final piece. I have done stuff where I drew a line and that was the finished work. I always wanted to improve upon it. In the process of the draw, many lines shape both the idea and the form. When they are solid, then lines are taken away or covered over. Guide lines, sketches, scratch efforts are all the way we think, work it out. We draw upon our muscle memory to shape what we see. Just think, if we did this on paper how many miles of lines we draw. On the computer it less messy and wasteful of materials. I want to tell people, the computer is not that big a shortcut in the art process. Actually you have a very wide pallet of resources and techniques, you can't do them all, just what you know. The process is the same when you apply what you know, that is what your mind sees and your muscles remember being triggered by the motive force. Tell your friends, "it's all in the wrist, or art runs in the family".
Control from the mind to the hand. Why some folks can draw what they see, some see it but are denied the ability to draw it. No we all don't have the right combination of stuff. Drawing can be learned to a point. You can learn the mechanics and stir up a motive force. In the end either you have it or you don't and that is in degrees.
We are taught that the mind is everything, but the brain is not the whole mind. The whole network of nerves from the clump in your head to stub sensors in the tips of your toes are also the mind. Muscles have memories. Emotions are imprinted in our character and motions are imprinted in our muscle memory. A boxer's range and speed of motion is all visible, his trainer hones and sharpen those skills. Harder it is to train the motive force that makes him breach his opponent's sphere and retract into defense ready to strike again. Reaching a little further, a little faster and control, timely strikes, timely withdraws.
The artist can learn all the tools, but what is needed is the muscle memory in the hands and wrist. Drawing a circle over and over till it's second nature. I have problems drawing the human figure because I have not practiced that. I can draw an electrical circuit in a second, that my muscle memory knows well. I can draw a straight line and a perpendicular one too. I know drafting, freehand drawing is a different matter. This new physical workout craze is on spot, where they vary the exercises so they are not routine. You blast muscles from many different angles. If you are a computer artist, go take a freehand drawing class or a drafting class. The motive force is the same but the reasons and procedures will give you muscle memories you didn't think you had. Then when you hone in, your skill set is wide yet focused because what you practiced your body remembers. It is now at your command.
Every line is important when you draw but not for the finished piece. I watched many artist working. I think they put too much effort into their work and the final piece looks simple compared to how much work goes in. Why not just start drawing the final piece. I have done stuff where I drew a line and that was the finished work. I always wanted to improve upon it. In the process of the draw, many lines shape both the idea and the form. When they are solid, then lines are taken away or covered over. Guide lines, sketches, scratch efforts are all the way we think, work it out. We draw upon our muscle memory to shape what we see. Just think, if we did this on paper how many miles of lines we draw. On the computer it less messy and wasteful of materials. I want to tell people, the computer is not that big a shortcut in the art process. Actually you have a very wide pallet of resources and techniques, you can't do them all, just what you know. The process is the same when you apply what you know, that is what your mind sees and your muscles remember being triggered by the motive force. Tell your friends, "it's all in the wrist, or art runs in the family".
Monday, September 03, 2012
release the artist, let go
No, not let loose the wildness. I'm sure you don't need me to tell you that. Unless a school arts program took that away. Well get it back, then put it away for later. Wildness is a fundamental part of play and discovery. Ask any kid. Come on who turns out to be the better kid. The one whom mom tells "stop that!" or the one whom mom yells "You be careful!". Yeah, yeah, a little of both. But you get my drift, think about what you got and where you are. And I am talking about doing art.
Mom and dad see you scribbling and think 'ooh we got a bidding artist!'. They do back-flips buying you the best tools money can buy. Or you discover it yourself and you hound them for months, 'can I please have some software to do this, I'm getting good?' Hey there might be all kinds of compliance here I don't know, but think about it. You just are working up a lather and you want the top shelf product to make you like the "professionals". UH UH! Art software is like the football jersey of your favorite team. You can rah rah all you want, but until you play yourself, you'll never fill that jersey in reality.
Enough with mind bending, snap out of it!! Open source art apps are the way to go. You can get your feet wet or drink the ocean, your choice and if you find it's not your cup of tea, you delete it off your PC. No cash to buy, no reselling to recoup, no embarrassing odor from whining. I got to get what the pros use because, because, because. "Professional" is a tag line to sell a product. If enough of you buy the product, it becomes true. Suppose you look at the tools in the product. Does the pay to play draw lines, yes. Does the Open Source app draw lines, yes. Can you distinguish which program drew the line after the line is drawn, no! Yeah it's a bit much but I've gone from bending to warping your mind. It's the tools not the pedigree.
On "My Computer" is this stuff, and I remind you I'm running Mint 13 (Maya) Linux. (zero cost!)
This is the new GIMP 2.8 in single window mode. Does photo editing, drawing and painting. (zero cost!)
This is the new GIMP 2.8 in multi window mode. (did I say zero.........?)
This is Inkscape, does vector drawing very well. It is my favorite app. (zero cost)
This is MyPaint and it handles painting. You can paint if you have the real media skills. I play and I learn. I do like abstract art. (Zero cost)
This one is Libre Draw of the Libre Office suite. Don't use it much but it is there. (zero cost)
All these softwares come in MS Windows, Mac and Linux versions, there is no excuse, download them, install them, start using them today.
Well, using a mouse works good with Inkscape and Libre Draw. For GIMP and MyPaint, lose the mouse, get a drawing tablet. Go cheap to start, I have an old Wacom, it works just fine. As my skills improve I will consider an upgrade. OK, go buy all the top shelf stuff. But if you wind up a too busy to draw Insurance Salesman with 4 kids, a trophy wife and a lap dog, I warned you. All the above software is zero cost, but if you want to support it, you can donate. Remember to check the tools and set aside the "professional" tag till later. Also get a drawing tablet. Then play like crazy, use online tutorials and/or find a tutor. I like a four door but a two door is OK! Hey would I steer you wrong? Bear with me, one more pun. Be sure to FLOSS every day, Free Linux and Open Source Software is here and is guaranteed by me your Linuxville Guide or you'll return to your regular software kicking and screaming.
Mom and dad see you scribbling and think 'ooh we got a bidding artist!'. They do back-flips buying you the best tools money can buy. Or you discover it yourself and you hound them for months, 'can I please have some software to do this, I'm getting good?' Hey there might be all kinds of compliance here I don't know, but think about it. You just are working up a lather and you want the top shelf product to make you like the "professionals". UH UH! Art software is like the football jersey of your favorite team. You can rah rah all you want, but until you play yourself, you'll never fill that jersey in reality.
Enough with mind bending, snap out of it!! Open source art apps are the way to go. You can get your feet wet or drink the ocean, your choice and if you find it's not your cup of tea, you delete it off your PC. No cash to buy, no reselling to recoup, no embarrassing odor from whining. I got to get what the pros use because, because, because. "Professional" is a tag line to sell a product. If enough of you buy the product, it becomes true. Suppose you look at the tools in the product. Does the pay to play draw lines, yes. Does the Open Source app draw lines, yes. Can you distinguish which program drew the line after the line is drawn, no! Yeah it's a bit much but I've gone from bending to warping your mind. It's the tools not the pedigree.
On "My Computer" is this stuff, and I remind you I'm running Mint 13 (Maya) Linux. (zero cost!)
This is the new GIMP 2.8 in single window mode. Does photo editing, drawing and painting. (zero cost!)
This is the new GIMP 2.8 in multi window mode. (did I say zero.........?)
This is Inkscape, does vector drawing very well. It is my favorite app. (zero cost)
This is MyPaint and it handles painting. You can paint if you have the real media skills. I play and I learn. I do like abstract art. (Zero cost)
This one is Libre Draw of the Libre Office suite. Don't use it much but it is there. (zero cost)
All these softwares come in MS Windows, Mac and Linux versions, there is no excuse, download them, install them, start using them today.
Well, using a mouse works good with Inkscape and Libre Draw. For GIMP and MyPaint, lose the mouse, get a drawing tablet. Go cheap to start, I have an old Wacom, it works just fine. As my skills improve I will consider an upgrade. OK, go buy all the top shelf stuff. But if you wind up a too busy to draw Insurance Salesman with 4 kids, a trophy wife and a lap dog, I warned you. All the above software is zero cost, but if you want to support it, you can donate. Remember to check the tools and set aside the "professional" tag till later. Also get a drawing tablet. Then play like crazy, use online tutorials and/or find a tutor. I like a four door but a two door is OK! Hey would I steer you wrong? Bear with me, one more pun. Be sure to FLOSS every day, Free Linux and Open Source Software is here and is guaranteed by me your Linuxville Guide or you'll return to your regular software kicking and screaming.
Thursday, August 30, 2012
artist of the digital realms
Today I downloaded a series of videos by Scott Ligon@MOCA Cleveland. Very interesting lectures. For a guy like me not school trained to peak in on this is cool. Why I say this, because the bucks involved to go to school, and the bucks involved in getting the software he knows and loves and uses, especially the industry standard Photoshop. Ultimately it about the tools themselves and not the brandname. You can have assess to whatever tools are available to you. BUT, the "working artist" are usually trained in Photoshop. This helps when you have to collaborate, share files, or move to a new company using the same software.
If you are not in the above professional loop or do not need the proware, or want to be well versed in many different software or are just starting out, use GIMP! Now, let me turn this around. If you are starting out use GIMP. Why, same or similar tools, zero cost. As you grow in your skills, for sure you will want the pro tools, or maybe not. MyPaint is wonderful too.
I am an Inkscape user, which is sort of like Adobe Illustrator. I like vector drawing because it is close to the CAD work I have used for years. Mostly you use a mouse but I guess you can get use to using a pen. For me using a pen is awkward. My Wacom Graphire 2 (man is that old) gave me a lot of issues. It was too small, as big as a mouse pad and the active area is small. Then on the laptop I had at the time it was jittery on the screen. On my newer laptop the display is solid.I solved the size problem by placing the digital tablet in an old laptop display lid. I used foamboard to fill in the sides and match the surface height. A clear sheet of flexible plastic makes the surface smooth. It is more comfortable to hold and pleasant to use. Maybe I will invest in an updated tablet.
Drawing vectors with a mouse is one way to draw, with a pen on a tablet is different. This is like using a pencil, you must really draw freehand. I have never been a good freehand drawer. The first thing I get is the blank page syndrome. Every artist gets this because you ain't been trained yet. SO, the next thing you must do is play like crazy, see what types of lines you can make. Practice drawing lines and shapes while you find a project you can work at. This will focus your play into skills. Video and pdf tutorials are great for freelance learners. Now you have something to draw, can you see it? draw it!
I noticed most programs use keyboard shortcuts, make a list, even incorporate them into a desktop screen so you can peak at them. I am thinking of a mini remote USB keyboard to mount on my tablet contraption so I won't have to reach for the laptop.
Now when doing vector drawing, it is one way of thinking. To do the same in raster or pixel drawing, there is another way. You have to learn how to apply the principles of art according to the kind of drawing. I went from pen-n-ink drafting to CAD with little trouble, then to vector drawing with no problem. Not having good freehand drawing skills is slowing my graphic tablet learning. I need to work at the concept, the muscle memory or hand-eye coordination thing and the workflow or procedures. In all I recommend Open Source Software artist tools to start.
If you are not in the above professional loop or do not need the proware, or want to be well versed in many different software or are just starting out, use GIMP! Now, let me turn this around. If you are starting out use GIMP. Why, same or similar tools, zero cost. As you grow in your skills, for sure you will want the pro tools, or maybe not. MyPaint is wonderful too.
I am an Inkscape user, which is sort of like Adobe Illustrator. I like vector drawing because it is close to the CAD work I have used for years. Mostly you use a mouse but I guess you can get use to using a pen. For me using a pen is awkward. My Wacom Graphire 2 (man is that old) gave me a lot of issues. It was too small, as big as a mouse pad and the active area is small. Then on the laptop I had at the time it was jittery on the screen. On my newer laptop the display is solid.I solved the size problem by placing the digital tablet in an old laptop display lid. I used foamboard to fill in the sides and match the surface height. A clear sheet of flexible plastic makes the surface smooth. It is more comfortable to hold and pleasant to use. Maybe I will invest in an updated tablet.
Drawing vectors with a mouse is one way to draw, with a pen on a tablet is different. This is like using a pencil, you must really draw freehand. I have never been a good freehand drawer. The first thing I get is the blank page syndrome. Every artist gets this because you ain't been trained yet. SO, the next thing you must do is play like crazy, see what types of lines you can make. Practice drawing lines and shapes while you find a project you can work at. This will focus your play into skills. Video and pdf tutorials are great for freelance learners. Now you have something to draw, can you see it? draw it!
I noticed most programs use keyboard shortcuts, make a list, even incorporate them into a desktop screen so you can peak at them. I am thinking of a mini remote USB keyboard to mount on my tablet contraption so I won't have to reach for the laptop.
Now when doing vector drawing, it is one way of thinking. To do the same in raster or pixel drawing, there is another way. You have to learn how to apply the principles of art according to the kind of drawing. I went from pen-n-ink drafting to CAD with little trouble, then to vector drawing with no problem. Not having good freehand drawing skills is slowing my graphic tablet learning. I need to work at the concept, the muscle memory or hand-eye coordination thing and the workflow or procedures. In all I recommend Open Source Software artist tools to start.
Monday, August 27, 2012
click'n and screaming
Damn those quirks! You know when you are typing or mousing and your thumb inadvertently touches the touch pad. The cursor veers off to another place and the text you are typing along with it. The solution, tape your thumb to your index finger!!
There is a setting on this PC that shuts the touch pad down when a PS/2 mouse is plugged in, what? this laptop has no PS/2 ports, it's USB.
Ran into another quirk, did some drawings in Inkscape on one computer, copied to jump drive, then used Inkscape on another computer to work the same file. The first PC was Linux with a 1920x1200 screen, the other was XP with 1024x768. Man the picture was scrambled and I had to sort it out. When I ungrouped it the text flew off into the margins!?! Strange strange.
Speaking of strange, my vintage Wacom Graphire 2 graphic tablet is rarely used. I can't get a handle in it. Ooh, you need a new one. Wait, it still works and I'm not that good with it. What's wrong with it? It's too small, like holding a pad of note paper. On the table it is too thick, on the lap it is too small. Not the drawing area, the outside of it. I found the lid of an old laptop with the LCD removed from it. I placed the little Wacom in the middle of it. Had to do some cutting to make it fit flat. Then I took foam board and filled in either side to the height of the surface of the tablet. Finally I covered the whole top with a sheet of thin plastic. The drawing area is still 3.5 x 5 but the surrounding area is now 8 x 13. I now have room to rest my hand on the surface and I can sweep across the surface not worrying about edges. Hey, a little swashbuckling goes a long way, you know.
Your in a room with a few people and you are trying to not be distracting. You turn on the laptop and the built-in speakers beeps, burps and sings. I took an old cutoff headphone plug, stick it in the jack during boot up. It is quiet. I think I'll sell it with a fob, quiet, cool, bling!!
Laptop is still running great, no video mishaps, solid, stable.
Mint is great, I am going to try the Gnome desktop to see if they improved it, but no rush. Ooh, last quirk, a Linux and Open Source Software user in a sea of XP and Win7. They expect MS, it doesn't compute that Linux and Open Source is viable and free too. There are cross-use issues but in the fold.........no worries.
There is a setting on this PC that shuts the touch pad down when a PS/2 mouse is plugged in, what? this laptop has no PS/2 ports, it's USB.
Ran into another quirk, did some drawings in Inkscape on one computer, copied to jump drive, then used Inkscape on another computer to work the same file. The first PC was Linux with a 1920x1200 screen, the other was XP with 1024x768. Man the picture was scrambled and I had to sort it out. When I ungrouped it the text flew off into the margins!?! Strange strange.
Speaking of strange, my vintage Wacom Graphire 2 graphic tablet is rarely used. I can't get a handle in it. Ooh, you need a new one. Wait, it still works and I'm not that good with it. What's wrong with it? It's too small, like holding a pad of note paper. On the table it is too thick, on the lap it is too small. Not the drawing area, the outside of it. I found the lid of an old laptop with the LCD removed from it. I placed the little Wacom in the middle of it. Had to do some cutting to make it fit flat. Then I took foam board and filled in either side to the height of the surface of the tablet. Finally I covered the whole top with a sheet of thin plastic. The drawing area is still 3.5 x 5 but the surrounding area is now 8 x 13. I now have room to rest my hand on the surface and I can sweep across the surface not worrying about edges. Hey, a little swashbuckling goes a long way, you know.
Your in a room with a few people and you are trying to not be distracting. You turn on the laptop and the built-in speakers beeps, burps and sings. I took an old cutoff headphone plug, stick it in the jack during boot up. It is quiet. I think I'll sell it with a fob, quiet, cool, bling!!
Laptop is still running great, no video mishaps, solid, stable.
Mint is great, I am going to try the Gnome desktop to see if they improved it, but no rush. Ooh, last quirk, a Linux and Open Source Software user in a sea of XP and Win7. They expect MS, it doesn't compute that Linux and Open Source is viable and free too. There are cross-use issues but in the fold.........no worries.
Saturday, August 25, 2012
down the road apace heels a click'n
Well folks as I said before I was making some changes amid some turbulence. The laptop flop and Ubuntu 12.04 glitches. So here is an update as to where we are at today, even as we speak, err type. Baking the laptop's removable video cards worked, I am still stunned and not happy-danced out yet. Don't try this at home, at least not in an oven used for food. Be cautious and a little leery, it's OK. I want to buy a small oven for art projects anyway, but will have to see if I can get 386 degrees out of a small unit. What about an easy bake oven? LOL! ok, I'll stop.
Then I tried to install XP Pro on the spare laptop, twice I got the BSOD (blue screen of death) during the install. The little sticker that says this unit is designed for Windows XP is iffy. So now Mint 13 (Maya) Linux is on both laptops. The one that I mostly use has 4 gig of RAM so I installed Virtualbox which allows me to run XP as a virtual system inside of Linux. What a laugh to run XP in a window and control it as an application. It runs well so far. I use XP to run Google Sketchup. This worked better than running Sketchup in WINE ( a MS Windows simulator for Linux), which worked till it couldn't find the GL graphics libraries, dang, they are right there!. XP is still good if you need it.
So the laptop displays look solid and stable. Mint is the bomb and real MS WinXP in a window works fine too. Now I am going to tell you the ugly truth. Trouble is exciting, the fixing, the fussing, the explaining, the chest thumping..........getting back to work is kind of flat. Yeah, I'm flat and happy.
Been pushing the pen a lot lately, I am half way through another notebook. I need to push the mouse to get some of the ideas into digital form. My biggest hurdle comes from not having enough ink in my printer. There are 3 colors and 2 blacks. If one of the cartridges are out the printer shuts down. Wouldn't you know it, one black cartridge is out. Why two if one out shuts printing down? You'd think one big honking black cartridge rather than two small ones would suffice and a switch to switch to black ink only........do I have to tell them everything!?! Oh, I should have bought a printer with both bells and whistles. At the time bells were enough. Let that be a lesson to you and me. See ya.
Then I tried to install XP Pro on the spare laptop, twice I got the BSOD (blue screen of death) during the install. The little sticker that says this unit is designed for Windows XP is iffy. So now Mint 13 (Maya) Linux is on both laptops. The one that I mostly use has 4 gig of RAM so I installed Virtualbox which allows me to run XP as a virtual system inside of Linux. What a laugh to run XP in a window and control it as an application. It runs well so far. I use XP to run Google Sketchup. This worked better than running Sketchup in WINE ( a MS Windows simulator for Linux), which worked till it couldn't find the GL graphics libraries, dang, they are right there!. XP is still good if you need it.
So the laptop displays look solid and stable. Mint is the bomb and real MS WinXP in a window works fine too. Now I am going to tell you the ugly truth. Trouble is exciting, the fixing, the fussing, the explaining, the chest thumping..........getting back to work is kind of flat. Yeah, I'm flat and happy.
Been pushing the pen a lot lately, I am half way through another notebook. I need to push the mouse to get some of the ideas into digital form. My biggest hurdle comes from not having enough ink in my printer. There are 3 colors and 2 blacks. If one of the cartridges are out the printer shuts down. Wouldn't you know it, one black cartridge is out. Why two if one out shuts printing down? You'd think one big honking black cartridge rather than two small ones would suffice and a switch to switch to black ink only........do I have to tell them everything!?! Oh, I should have bought a printer with both bells and whistles. At the time bells were enough. Let that be a lesson to you and me. See ya.
Thursday, August 23, 2012
resurrecting an old laptop
You thought I was going to post another post about reviving a PC with Linux, didn't you? Actually it's already a Linux PC, lol. Let me tell the whole story.
A friend gave me two Dell M90 laptop, a good one and one for spare parts. Recently the good one's video card started displaying abstract art. Now I got two laptops in the same state. I did a Google search for replacements and fixes. In a forum some were saying about baking the video cards. Theory is that day to day stress causes micro fractures in the solder joints, enough to cause functional problems. The M90 are known for heat related problems, now this too. I read the same on other forums and watched a few videos on the procedure. They used the ovens in their kitchens but I was worried about gases and fumes of solder materials in my food oven. I used a oven not used for food at the art gallery. Well needless to say it all worked, I now have two working laptops. So I won't lay it all out but if you Google you'll find it.
My laptop is back and I have a working spare. Can you beat that? If you have moving parts, bang it on the side, if not bake it!! I can hardly believe it's working, but it is.
A friend gave me two Dell M90 laptop, a good one and one for spare parts. Recently the good one's video card started displaying abstract art. Now I got two laptops in the same state. I did a Google search for replacements and fixes. In a forum some were saying about baking the video cards. Theory is that day to day stress causes micro fractures in the solder joints, enough to cause functional problems. The M90 are known for heat related problems, now this too. I read the same on other forums and watched a few videos on the procedure. They used the ovens in their kitchens but I was worried about gases and fumes of solder materials in my food oven. I used a oven not used for food at the art gallery. Well needless to say it all worked, I now have two working laptops. So I won't lay it all out but if you Google you'll find it.
My laptop is back and I have a working spare. Can you beat that? If you have moving parts, bang it on the side, if not bake it!! I can hardly believe it's working, but it is.
Monday, August 20, 2012
the gathering
We got a local PC user's group and it is not bad. Mostly Microsoft users. They tried to stir interest in a Linux user's group, there is a diff that cramps things.
In the Microsoft oriented group, it is about applications like Office and Photoshop, Outlook, how to do things on the Microsoft platform. Not about the OS it self. MS does not have to be explained, it is in common use. It is unsaid but applications or programs are for doing stuff that "users do".
With Linux on the other hand, every thing has to be explained, the OS and the applications and what you can and can not do and what to expect. Linux, OH what's that? What can you do with that?, Can you use Microsoft programs with that? That from people who have no clue. Linux has been primarily a server OS so you get a glut of server administrators. They talk about various servers and databases, virtual devices, and hooking into Microsoft networks with Samba and the command line. There are few to none casual average semi-savvy users in the Linux clutch. You won't get a class in using GIMP because everybody uses Photoshop in MS Windows, what's GIMP. The casual user is strangely absent from Linux user's groups. There are few casual users. In the usual Linux group, it's all about the OS. The only way to get average semi-savvy Linux users is through the promotion of Open Source Software. Then you get a mix of MS PC, Mac and Linux users because the softwares are available for all three platforms. For Linux only users the care and feeding is not there similarly to MS PCs and Apple platforms.
The point of groups is to pool experience and get help and the best use out of your hack of choice.
OK, on the home front, my two Dell M90 laptops share a common plight, the graphic cards displays abstract art. My faithful desktop a Dell Precision 380 is now bearing the brunt of my daily computing. I did have a problem downloading YouTube videos. I tried a couple of different downloaders that work in Firefox web browser to no avail and a YouTube client application. All delivered a file with '0' data in it. So I went to Firefox, Google search and typed in my problem. In one forum someone mentioned going into Firefox preferences and erasing the cookies for Google. I just erased all the cookies and BAM!, ZOWIE! it worked, I now can download YouTube videos. This is the kind of help you could get in a user group. You couldn't find this in a user manual (besides, Linux doesn't have a manual, but there are a lot of good Linux books. I don't read many books of late because of YouTube videos on GIMP, Inkscape and Sketchup and other stuff like John Coltrane and Black history.
In the Microsoft oriented group, it is about applications like Office and Photoshop, Outlook, how to do things on the Microsoft platform. Not about the OS it self. MS does not have to be explained, it is in common use. It is unsaid but applications or programs are for doing stuff that "users do".
With Linux on the other hand, every thing has to be explained, the OS and the applications and what you can and can not do and what to expect. Linux, OH what's that? What can you do with that?, Can you use Microsoft programs with that? That from people who have no clue. Linux has been primarily a server OS so you get a glut of server administrators. They talk about various servers and databases, virtual devices, and hooking into Microsoft networks with Samba and the command line. There are few to none casual average semi-savvy users in the Linux clutch. You won't get a class in using GIMP because everybody uses Photoshop in MS Windows, what's GIMP. The casual user is strangely absent from Linux user's groups. There are few casual users. In the usual Linux group, it's all about the OS. The only way to get average semi-savvy Linux users is through the promotion of Open Source Software. Then you get a mix of MS PC, Mac and Linux users because the softwares are available for all three platforms. For Linux only users the care and feeding is not there similarly to MS PCs and Apple platforms.
The point of groups is to pool experience and get help and the best use out of your hack of choice.
OK, on the home front, my two Dell M90 laptops share a common plight, the graphic cards displays abstract art. My faithful desktop a Dell Precision 380 is now bearing the brunt of my daily computing. I did have a problem downloading YouTube videos. I tried a couple of different downloaders that work in Firefox web browser to no avail and a YouTube client application. All delivered a file with '0' data in it. So I went to Firefox, Google search and typed in my problem. In one forum someone mentioned going into Firefox preferences and erasing the cookies for Google. I just erased all the cookies and BAM!, ZOWIE! it worked, I now can download YouTube videos. This is the kind of help you could get in a user group. You couldn't find this in a user manual (besides, Linux doesn't have a manual, but there are a lot of good Linux books. I don't read many books of late because of YouTube videos on GIMP, Inkscape and Sketchup and other stuff like John Coltrane and Black history.
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