I have a scattering of pens on my desk, some papers. I stare at them intently wondering about my own art history. Every artist has a history, work that passed through their hands, ideas that they entertained, attempts, notes, urges, and finished works. Sometimes our training hinders us, sometimes it is what's needed, we make it work or we stretch it to extend our creative reach. Sometimes we explore new territory perchance a new technique will bring about new ideas or a new outcome. Darn it all, there is a core we can't escape, a sweet spot. The artist who draws all kinds of stuff but finds drawing/painting horses is a bliss/blast. OR the impressionist vs the photo-realist, the meticulous vs the slosher/splasher.
For me it is architectural forms, interior design, and decoration. I had a hard time accepting this as I compared myself to fine artist. Turns out my meager training has been about what I love all along, no need to think I'd like to be something else, or measuring up to something else. Turn envy into appreciation of others work. It's OK to appreciate and not have to do it yourself. When I scan the internet a great portion of fine art is about people, faces, figures. I feel more like a stage designer, setting the stage for people to perform on. I'm drawn to sculpture, lighting, and how a picture is framed, the shape of things. My stuff seems empty without people standing and acting in front of it. If I put people in the art then it would be locked. Though some viewers need figures in art to make a immersive connection, "What if I were in there."
The sweet spot sets the art motive into play, the art purpose, the art reason. You may venture to your limits but the sweet always calls to you. Could very well be a big part of your signature, that recognizable flaw that distinguishes each and every artist from other artist.
There is also the mirror effect. When you yourself survey over your own body of work and you see the character of your own hand, an annoying quality you want to change so bad, you will try different things to obliterate the flaw. News flash! That's not a flaw, it's a feature, it's who you are and HOW YOU ARE WIRED. It comes out in your work. Old stuff, you have to embrace yourself BEFORE you let yourself go. Else it will haunt you for ever. You put your hand to a work, did you somehow think what you created is separate from you? LOL!
Man has always made his mark from the first time he furrowed the dirt with a stick, a burnt stick on a rock. The implements today are so refined, the talents so well honed, yet the urge is the same, we make a mark and call it art.